Behind The Board – March Live EP Released

Back in March we worked with the band Burlap to Cashmere during the NEXT Charity Concert Series. Burlap to Cashmere is a folk pop band with a refined sound. They’re very reminiscent of Simon and Garfunkel. Though you might say they’re a little more musical for most normal folk music. The production side was rather simple. Just keep it clean so it can be heard. On the recording, it was the same theory.

Give it a listen and enjoy!

All Things NEXT – Burlap to Cashmere Live EP

 

And please check out the bands:

Burlap To Cashmere

Behind The Board – NEXT Charity Concert Series Featuring Robbers on High Street June 8th

June 8 was a blast! That was the day we mentioned we were working with NEXT at  PCTV. Offically it was the NEXT Block Party At PCTV Featuring Robbers on High Street (an AMAZING band). Today I am happy to present you with a view of what you missed!!! Next we will get you a taste of what you missed with the sounds of NEXT Live! Check out Robbers on High Street’s website for more info on them. And you should already be listening to NEXT’s podcast/radio show!

All of these pics were shot by Focus In Digital.

  • Poster
  • Robbers on High Street
  • Robbers on High Street
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  • Chris Bro Left
  • PCTV in Cool mode
  • Robbers on High Street
  • Robbers on High Street
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  • Robbers on High Street
  • Next\'rs
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  • Robbers on High Street
  • Robbers on High Street
  • Robbers on High Street With Chris Bro

Behind the Board – In Front of The Screen

Last night we worked with NEXT Music at PCTV in Pleasantville, NY. This time it was an interesting twist. The band performed inside the TV studio as the audience watched outside on a big screen. Robbers On High Street have a great sound so it was fun to mix this show. The twist for us was we were mixing for three different elements, studio with monitors, TV, and outside. If you weren’t lucky enough to score tickets at this show, the whole thing was streamed online at allthingsnext.com.This was made a little tougher by a special event happening at the theater next door and the battle of not interfering with their presentation. But overall this experiment was a lot of fun. A party on a beautiful night with live music.

Now the outside really was an alley way between PCTV and a theater. The theater was showing a movie from music legend Neil Young. What was most interesting is here is an up and coming band working on their craft and a bunch of people watching and it was more of a nuisance to him! When Neil exited the theater he didn’t even acknowledge the people with a polite wave. Not even a glance. A decent crowd in an alley just mere feet from the door he exited from and it was as if the people who were politely saying hello were non existent.

But, it had nothing to do with the party itself so it had no effect on the good times in a little town in New York. Pictures and audio will be posted soon.

 

Sound Advice

As a sound tech, the one thing I see the most that I find strange is vocalists who do not carry their own microphones.  Guitarists, Bassists, and Drummers all spend countless moments getting familiar with their equipment to develop their sound yet many vocalists  in club gigging bands will just rely on some cheap old mic that’s been sitting behind the bar and used 2 or more times a week by other singers. It’s been dropped and spit on, who knows what else. But what’s worse is the vocalist didn’t spend the countless moments that other musicians spend picking the right microphone to present their instrument out to the world.

Lets think about this here. A vocalist’s voice is their instrument. Everyone sounds different and some are more distinguishable from others. There are tones, and over tones. Nuances that make you sound like you.  Last thing a vocalist should be is content with just “whatever you got”.  

Now this isn’t just a quality of equipment situation. Or a health one (We’ve seen the nasty things that happen to house mics!). Just like other instruments there are different factors that effect tone and character with microphones. Better quality mics are more consistent sure, but they all pick things out of the air differently. Certain tones will be stronger on some than on others. Some are edgy with more bite, while others are stronger in the low end and may be boomier.

A vocalist needs to visit a bunch of music stores and ask to try some microphones out. Have them set you up with a professional PA amp and speakers. if any eq, it should be set flat. Stand in front of the speakers with a low volume and sing through a bunch of mics while listening to yourself. (Stand indirectly away to avoid feedback.) Which one do you like your sound on? That’s the one you want! Look for stores that carry Shure, AKG, Audix, and Sennheiser. These are the more common quality brands. Once you’ve picked your mic, look on Ebay or some other online stores for cleaning/sterilizing kits to help you maintain your mic and you’re all set. Now when you show up for a gig hand the sound guy your mic. An experienced sound tech has worked with most mics and is familiar with their characteristics. He’ll then eq your mics balance into his system. Take good care of your mic and it will last a long time.